Tuesday, April 28, 2009
This row of six Neo-Grec brownstones was built by the developer James Steward. The architect Isaac Reynolds designed these three story houses set above high basements to have two sided brownstone masonry bays that rise full height. The doorways have grooved pilasters surmounted by brackets.
Brooklyn Daily Eagle article from March 6, 1886
A similar group of Neo-Grec brownstones on Hancock Street between Bedford and Nostrand Avenues, outside the current Stuyvesant Heights historic district. The houses are three floors over a basement floor. Several of the houses below retain the original, heavy, Neo-Grec cast-ironwork on the stoop. Both of these blocks are well preserved and in the proposed Bedford Historic District but none of these homes are protected.
1900 census of the 100 block at Hancock Street and 300 block of Jefferson
Monday, April 20, 2009
182 Macon was once owned by the famous Reverend Edward Beecher. The house simple, handsome and dignified with three stories above high basements is crowned by a series of French Second Empire mansard roof that I am sure were once topped by iron cresting. Long gone hand railing at the stoops and roof cornices could have given a better indication of the late date of this structure. The residence still radiate a feeling of quiet intimacy, emphasized by a now modern gate which separate the front yard from the side walks. This home is not protected or on any historic registers.
Part of Brooklyn Daily Eagle Obituary
Edward Beecher was born in East Hampton, New York August 27, 1803 and was slated to follow in the tradition of his father Lyman Beecher. He is the brother of Harriet Beecher Stowe and Henry Ward Beecher. He graduated from Yale and studied briefly at the Andover Seminary. He became the pastor of Park Street Church in Boston in 1826, and in 1830 he became the first president of Illinois College at Jacksonville. The college grew under his leadership and he remained president for fourteen years. The reform spirit took hold of Edward and he organized the first anti-slavery society in Illinois. He resigned his presidency in 1844 after financial misfortune; religious controversies and opposition to his anti-slavery beliefs made the offer of the position of pastor of the Salem Street Church in Boston seem very desirable. He returned to the West in 1855, where he became the pastor of the First Congregational Church of Galesburg, Illinois, where he remained until 1871. That year he moved to Brooklyn and settle on 182 Macon Street where he remained until his death on July 28,1895.
Brooklyn 1880 Census
Friday, April 10, 2009
Have you ever wondered about the history of your house, apartment, church or other building in Bedford Stuyvesant? When was it built? Why was it built? Who owned it? What happened to the people who lived there? Is your house famous? Or, my perennial favorite question as a child, does it have any secret tunnels or cubbyholes? Whether you're looking for documentation for historic status or are just plain inquisitive, tracing a property's history and learning about the people who have lived there can be a fascinating and fulfilling project.
We need to show Landmarks Preservation Commission just how historic Bedford Stuyvesant is to New York. I am conducting research on buildings in Bedford Stuyvesant and parts of Crown Heights North which was Bedford Stuyvesant years ago... There are usually two types of information that I search for: 1) architectural facts, such as date of construction, name of architect or builder, construction materials, and physical changes over time; and 2) historical facts, such as information on the original owner and other residents through time, or interesting events associated with the building or area. A house history may consist of either type of research, or be a combination of both.
Bedford Stuyvesant is one of the oldest neighborhood in America let alone Brooklyn and is full of rich history. Much of this history of Bedford Stuyvesant has been lost over the years. Many people who live outside the neighborhood only know of the neighborhoods recent history. Bedford Stuyvesant community has been around since in the 1600's and the history should be preserved.
Please feel free to submit what you know about any building in Bedford Stuyvesant preferably outside any historic district. Also If you would like to know information on your home feel free to e-mail email@example.com . I would try to find as much information as possible about buildings that are submitted and publish my results on this site. Lets work together and save and preserve our beautiful neighborhood.
275-285 MacDonough Street
For Example on MacDonough Street in the Stuyvesant Heights landmark district the houses above were built between 1885 and 1898. The first home to the far left no. 275 MacDonough is a fine French Neo-Grec house, built in 1888 respectively, for W. A. Walsh. The architect was Isaac D. Reynolds. The two-sided masonry bay extending the full height of the house with recessed panels under the windows and incised ornament on the enframements. The doorway, located have projecting lintels with incised ornament; they are supported on elongated console brackets. The roof cornices are also carried on elongated brackets, carefully related to the windows below them.
No. 277, an individually built French Neo-Grec house, was erected in 1888 for Rev. George F Pentecost of Tompkins Avenue Congregational Church and designed by J. C. Markham. Like its neighbors at the west, nos 273 & 275, it has a two sided masonry bay window extending the full height of the house. The handsome billet moldings at the bottom of the door and window lintels are distinctive decorative feature.
No. 279-283. These three houses, which combine late Romanesque Revival style with the classical trends of the 1890s, were designed by the Brooklyn architect Frederick D. Vrooman and built in 1895 by John F. Saddington. All three houses have rounded offset facades which make the transition from the recessed row of houses at the west to the corner house (no. 285) which is brought forward to the sidewalk line. Rough-cut stone-work at the basement and second floor lends a rugged quality to these houses, in strong contrast to the smooth intervening wall. The third floors, faced with sheet metal stamped with shallow Corinthian pilasters, have richly ornamented convex roof cornices above them. The wrought iron handrainling at the stoops and cast iron newel post show Romanesque influence.
No 285 at the corner of MacDonough and Lewis is a yellow brick Italian Renaissance style house was built in 1898 by John Seddington in collaboration with Vrooman. It is four stories high above a low basement. The brickwork on the exterior of this house is laid to resemble rusticated stonework.
This is the 1900 census which shows the first people that lived in these homes.
Wednesday, April 8, 2009
Eubie Blake Neo-Grec home at 284A Stuyvesant Avenue home is out side the historic Stuyvesant Heights District and not protected at this time. This house with its high stoop most likely had massive heavy cast-iron handrails at one time. Leading up the stoop the large double-leaf wood doors welcome you into this lovely brownstone. The massive door hood and enframement with angular decorative elements resting on brackets gives this small home grandeur. I can truly imagine this brownstone being full of great music.
James Hubert “Eubie” Blake (February 7, 1887 - February 12, 1983) was a composer and pianist of ragtime, jazz, and popular music, as well as a lyricist. With his long time collaborator Noble Sissle, Blake wrote the Broadway musical Shuffle Along in 1921; this was the first Broadway musical ever to be written and directed by African Americans. Blake’s hit compositions included “Bandana Days”, “Charleston Rag”, “Love Will Find A Way”, “Memories of You”, and “I’m Just Wild About Harry”. In 1978, the musical Eubie! opened on Broadway.
Thursday, April 2, 2009
This row of well preserved brick buildings with street level retail is located on Tompkins Avenue where Bedford and Stuyvesant Heights meet. Tompkins Avenue is what separates Bedford from Stuyvesant Heights. These fine buildings are not protected by landmarks but walking down Tompkins Avenue you get a glimpse of what it was like to walk down a commercial corridor at the turn of the century. The brick buildings with inset brownstone details and handsome iron cornices has not changed much in the last one hundred years. This one time very busy commercial corridor gave birth to a famous American icon. 404 Tompkins Avenue is the 1902 birthplace of the Teddy bear.
Teddy bears are a symbol of cuddly gentleness and security the world over. It is well known that the teddy bear is named for President Theodore Roosevelt. Less well known are the inventors of the teddy bear, Rose and Morris Michtom, two Russian Jewish immigrants who lived in Brooklyn.
The American bear as a symbol of gentleness is filled with ironies. For generations, bears prompted fear, not affection. The teddy bear’s namesake, Theodore Roosevelt, was a ferocious warrior and big game hunter – a man who killed for sport. However, an unlikely alliance between the rugged, native-born American Protestant president and the inventive, immigrant Jewish couple from Brooklyn created one of the most lovable and enduring American icons.
The story begins in 1902. The states of Mississippi and Louisiana disagreed over the location of their common boundary, which bisected some of the least well-developed land in the United States. The governors of both states invited President Roosevelt to arbitrate the dispute. Roosevelt decided to combine his tour of the disputed territory with a five-day black bear hunt.
The president’s foray attracted a large contingent of journalists, who reported on Roosevelt’s every move. Even more compelling to the reporters than the boundary dispute was the president’s pursuit of a trophy bear. For four days, the press reported little about Roosevelt’s arbitration of the boundary dispute and harped on the ability of the area’s bears to elude his crosshairs. On the fifth and last day of the junket, apparently to redeem the president’s reputation, one of his hunting companions caught and tied a bear cub to a tree so that the president could shoot it. When he came upon the cub, Roosevelt refused to kill it, saying that he only took prey that had a sporting chance to defend itself.
Roosevelt’s demurrer took the nation by storm. The leading American cartoonist, Clifford Berryman, published a cartoon showing Roosevelt turning his back on the young bear, tied by its neck, and public response to the president’s self-restraint was overwhelmingly favorable. The next day, the Washington Post published a second cartoon, depicting the bear as a more placid beast, cementing the docile image of the young bear even more firmly in the public imagination.
Enter the Michtoms. Morris had arrived penniless in New York in 1887, when only in his teens, a refugee from pogroms. He married Rose and opened a small store that sold notions, candy and other penny items. In the evening, to help make ends meet, Rose sewed toys that they sold in the shop. Like millions of other Americans, the Michtoms avidly followed press accounts of Roosevelt’s journey into the Louisiana backcountry. Roosevelt’s refusal to shoot the defenseless bear touched the Michtoms. Morris suggested to Rose that she sew a replica of the bear represented in Berryman’s cartoons.
That night, Rose cut and stuffed a piece of plush velvet into the shape of a bear, sewed on shoe button eyes and handed it to Morris to display in the shop window. He labeled it, "Teddy’s bear." To his surprise, not only did someone enter the store asking to buy the bear, but twelve other potential customers also asked to purchase it. Aware that he might offend the president by using his name without permission, the Michtoms mailed the original bear to the White House, offering it as a gift to the president’s children and asking Roosevelt for the use of his name. He told the Michtoms he doubted his name would help its sales but they were free to use it if they wanted.
The rest is an amazing – yet characteristic – American Jewish immigrant success story. The Michtoms sewed teddy bears and placed them in the window of their shop, but demand was so great they couldn’t keep up. The couple concluded that there was more profit in teddy bears than in penny candy and dedicated full time to producing them. Because of the doll’s popularity, Roosevelt and the Republican Party adopted it as their symbol in the election of 1904, and Michtom bears were placed on display at every public White House function.
The Michtoms’ labor grew into the Ideal Toy Company, which remained in family hands until the 1970s. Ideal Toys sold millions of teddies throughout the world; yet, their good fortune did not spoil the Michtoms. Ever mindful of their humble origins, supported the Hebrew Immigrant Aid Society, the Jewish National Fund, the National Labor Campaign for Palestine and numerous other Jewish causes. While Ideal Toys could not secure a patent on the teddy bear and many imitators entered the market, the Michtoms created an American — and worldwide — icon. Their original teddy bear, treasured and saved by Teddy Roosevelt’s grandchildren, is now displayed at the Smithsonian.Source: American Jewish Historical Society
You can read more here: Teddy Bear